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  #1  
Old July 10th, 2009, 07:12 AM
VG_StratGuy VG_StratGuy is offline
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Default why a I IV V works so well.

A picture is worth a 1000 words so I thought I would share this with anyone who didn't know why allot of music revolves around a I IV V progression.
If you take the chord tones of a I IV V.... the 1, 3, 5 of each chord and add them all together you have all the notes from the I chords major scale.

The A major scale is A B C# D E F# G#
I chord ( A chord) A C# E
IV chord (D chord) D F# A
V chord (E chord) E G# B

The A , D and E chord tones all add up to be the A major scale.

The below picture explains it all.


Last edited by VG_StratGuy : July 10th, 2009 at 07:18 AM.
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Old October 11th, 2009, 06:50 PM
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Great post
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Old October 22nd, 2009, 10:02 AM
LearningBlues LearningBlues is offline
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I'm confused sir...
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Old November 5th, 2009, 10:15 AM
VG_StratGuy VG_StratGuy is offline
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what part are you confused about?
Google CAGED and you will see how the CAGED template outlines the 1, 3, 5 of a chord. If you can see the template for the I IV V chords at once you have the major scale.
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Old November 5th, 2009, 11:02 AM
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bobthecow bobthecow is offline
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Wait... you write 1,3,5 and then I,IV,V... which is 1,4,5

Did you mean to do that?
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Old November 5th, 2009, 11:24 AM
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screamin eagle screamin eagle is offline
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A basic major chord needs only three notes. The notes that make up a major chord are: 1, 3, 5. You don't need any other notes to make a major chord.

The I-IV-V, is referring to a chord progression--which is why roman numerals are used, to differentiate. What he is saying is that the 1,3,5 of each chord in a I-IV-V chord progression are all in the tonic major scale.

It is a little bit of a complex way of stating it, however it is good to know.

The I is the root/tonic.
The IV is sub-dominant
The V is dominant.

You begin your paragraph with a statement, this is your 'I'.

The IV doesn't provide any tension against the root, but if you stayed on the I for 8 measures, it would be completely boring. So the IV is like say, and then, and then.

The V is the point. The climax, the payoff, your reason for your first sentence. It has the most tension against the root/tonic, which is why it considered dominant.

Rock n Roll is really all based on tension and release. The 5 creates the most tension against the 1, so when you go back to the 1 from the 5 you resolve that tension.

Now I'll confuse you:

The 2 always substitutes for the 5--always. And the 2 is the 5 of the 5.

The turn around is just the tension resolve part of the song--look at common turn arounds--do you see a pattern?
V-I
II-V-I
II-VI-V-I
III-VI-V-I
III-VI-II-V-I

Last edited by screamin eagle : November 5th, 2009 at 02:03 PM.
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Old November 6th, 2009, 08:55 AM
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jdawest jdawest is offline
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this is why I love it here.
Great thread!
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